Dmitrii Shipulin’s couture blurs the line between body and object, giving clothes a strange life of their own. The result is fashion that feels theatrical, character-driven and wonderfully hard to place.
What if the real shift is not what you make, but how you make it? Len Carella on clay, working by hand, and the California landscapes he returns to daily with his dog Renzo.
What happens when the things you once took for granted begin to look different? Katia Langeard reflects on clay, memory, Soviet modernism and the landscape of Èze.
Ebba Lindgren is interested in what happens when an idea is allowed to stay slightly unruly. From glass shoes to AI, she reflects on taste, touch, imperfection and the very human instinct to care about what we make.
A Chinese garden window, a hidden screw, a child pointing to something in the corner. Xiaotong Wang’s world is built from details that reveal themselves slowly, shaping a practice where memory and curiosity become form.
Belén Segú collects images, distorts them, and lets them drift somewhere between memory, still life and digital accident. The result is a world where familiar objects never stay quite as they were.
What happens when a material starts making decisions of its own? Dámaso Mayer, founder of Estudio Material, reflects on intuition, landscape and the unexpected turns that shape an object before it is finished.
His objects ask you to assemble, rotate and look again. An interview with Thalis Nicolaou on simple geometries, hidden logic and staying close to the process.
A room, a window, a horse and yet nothing stays still. In Diango Hernández’s Olaismo paintings, the image keeps shifting until it becomes partly yours.
For Kodai Iwamoto, design began long before design school: with fishing trips, repaired tools and the belief that making belongs to everyday life.
Behind Elizabeth Lip’s polished world lies a more intimate tension: the desire to be seen, to grow, and to remain close to the self no image can fully capture.
She almost gave up on design then one object changed everything. We sat down with Naama Hofman to talk about belonging, light, and finding a creative voice.
George Condo paints the selves we try to keep under control. His fractured portraits turn elegance, anxiety and performance into a vivid study of how unstable identity really is.
Through quiet landscapes, oversized moons and dreamlike symbolism, Yukiko Noritake creates illustrations that feel suspended between reality and imagination, inviting viewers into worlds that resist easy explanation.
Inspired by folklore, ritual and dream imagery, Laura Benson creates objects that feel like fragments of a personal mythology, where symbols, memory and meaning remain beautifully unresolved.
Minyoung Kim’s paintings transform domestic interiors into quiet psychological landscapes, where curtains, shadows and familiar objects drift between memory, anxiety and dreamlike unease.
Situated within the evolving language of collectible design, Alana Burns transforms the domestic lamp into a totemic structure. Her works blur the boundary between ritual artifact and functional object, privileging atmosphere over utility and narrative over repetition.
Anger becomes structure, memory becomes material. In 13 Cents, Abdulla Elmaz traces the quiet work of looking back in order to step forward differently.
When silhouette and gesture carry the same tension as a painting, fashion stops being decorative and becomes declarative. On the artistic coherence of Sylvia Solove.
What happens when artist and muse form a “third mind”? A meditation on time, painting, and the power of unfinished work.
Conie Vallese works at the edge of design and gesture. Her objects aren’t meant to blend in, but to alter space, pace, and attention—treating furniture as a quiet act of authorship rather than solution.
A slow ritual in a fast world.