Dmitrii Shipulin’s couture blurs the line between body and object, giving clothes a strange life of their own. The result is fashion that feels theatrical, character-driven and wonderfully hard to place.
What if the real shift is not what you make, but how you make it? Len Carella on clay, working by hand, and the California landscapes he returns to daily with his dog Renzo.
Six decks, a pool, and a bathroom worth lingering in. Inside AMOR À VIDA, the details make you curious about the person who imagined it all.
October 2026 storms in with a fresh breeze of new ideas, deeper breaths, and renewed inspirations. As the autumn air clears and the stars begin to shine brighter, the path back to your true nature will unfold with every step you take.
What happens when the things you once took for granted begin to look different? Katia Langeard reflects on clay, memory, Soviet modernism and the landscape of Èze.
Daniel Heilig takes us through the first CURRENTS Berlin with the new Sigma BF, from university labs to emerging studios and German design icons, offering a personal snapshot of a scene finding its own stage.
Technique may get you noticed, but today food needs a point of view too. Spolsky Studio shows how pastry can build an identity strong enough to make you remember the person behind it.
Ebba Lindgren is interested in what happens when an idea is allowed to stay slightly unruly. From glass shoes to AI, she reflects on taste, touch, imperfection and the very human instinct to care about what we make.
A hidden fortune, twelve missing chairs and one gloriously chaotic search across the Soviet Union. The 12 Chairs is fast, absurd, sharply observed and far more modern than you expect.
Floral arrangements are becoming objects in their own right, with shape, tension and character. From Tableau to Tereza Kaspar, flowers are starting to occupy a room with the presence of design.
Palazzo Ca’ Donà briefly becomes a cultural space for ORBITA Venezia, bringing contemporary art and collectible design into a historic residence before it returns to private use.
In Venice, where reality already feels slightly improbable, we sat down with Charlotte Colbert to talk about imagination, gardens and what it takes to turn an imagined world into something real.
What looks like lace in CHANEL’s latest Haute Couture collection is actually an elaborate construction by Atelier Montex, where embroidery, crochet and handwork turn difficulty into part of the pleasure.
A Chinese garden window, a hidden screw, a child pointing to something in the corner. Xiaotong Wang’s world is built from details that reveal themselves slowly, shaping a practice where memory and curiosity become form.
September 2026 arrives like the first cool breeze drifting through the lingering warmth of summer. As Astral Diary celebrates its first anniversary, we invite you to honor this beautiful season of harvest, fresh beginnings, and quiet transformation.
Anna Condo has moved through acting, film, photography, painting and AI without settling into a single language. Her work suggests that consistency can come from character, not repetition.
Belén Segú collects images, distorts them, and lets them drift somewhere between memory, still life and digital accident. The result is a world where familiar objects never stay quite as they were.
What happens when a material starts making decisions of its own? Dámaso Mayer, founder of Estudio Material, reflects on intuition, landscape and the unexpected turns that shape an object before it is finished.
Millaux treats bedding like fashion: something to dress, layer and change with your mood. Behind the playful bedclothes is a more intimate idea of home, memory and the rituals we return to every night.
Richard Snyder’s Round the World belongs to a time when furniture could still be strange, funny and difficult to explain. A cabinet, a sculpture, and a small argument for making things before taste has the chance to interfere.
What if the most interesting rooms are the ones that refuse to belong to a single moment? Dina Vierny’s Paris apartment shows how art, memory and new lives can accumulate without erasing what came before.
A slow ritual in a fast world.